Millennial tension, future shock, and digital desire drive
this performance. Night footage shot with an old surveilance
camera of San Francisco's industrial waterfront is joined with Lina Romay's
hypnotic eyes from Jess Franco's underground erotic horror masterpiece "Female
Vampire", animated textual statements, and bursts of static. A shipyard
landscape as seen through the night-vision eyes of a zombie, detached surveilance
and digital desire - all of these events are eventless (and by extension,
Y2K fears). These non-evenst as stasis (static); the periodic interruptions
of static are the only "real" events.
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